100 Pall Mall

100 Pall Mall

Architect: 4S Architecture
Location: London
Project Overview: Renovation of Grade II listed commercial building.


Full hardware scheduling service including bespoke products

Project Details:

With their proficient knowledge and background in conservation and working with listed buildings, 4 S Architecture (4SA) have completed numerous successful residential and workplace refurbishment projects around London, but this year the rising firm has proficiently completed the renovation of the striking Grade II listed 100 Pall Mall building. The design for new interventions is based on the original construction’s paired back ‘stripped classicism’ style by the renowned 1950’s architectural practice McMorran & Whitby geometry and materiality.  

4SA’s approach was one of respect for the historic fabric while simultaneously updating the design to suit today’s modern office occupier.  In Hamson’s words: “Our practice’s design methodology starts with understanding the DNA of a building: what are the forms, materials, patterns and shapes that already exist [...]  Rather than introducing new forms and colours, those already present in the building were used to develop the design of the new interventions.  For instance inspiration for the green reception area wall panelling takes its queues from the prominent green marble arches, while the barrel vaulted ceiling informs the arched seating niches and tenant signage recess.

Julia Hamson, founder and Director at 4SA, spoke highly of John Holmes’ attention to detail when it came to developing the bespoke ironmongery package for this project which features a combination of brushed brass and a patinated bronze ironmongery.

 “John asked us about our architectural concept for the design proposals at our first site meeting, which was a refreshing change when speaking with suppliers. We talked about how the existing barrel-vaulted ceiling and the arched green marble portals in the reception were two of our key design drivers in terms of generating what shape we chose for seating niches and tenant boards in the reception. Hearing this, John suggested that the top of the push plates could be arched to match.  At 4SA we firmly believe that paying attention to the smaller details is just as important as getting the big gestures right,  and it is this meticulous focus which can really distinguish a project. John’s suggestions with the ironmongery package throughout really helped to elevate this project.”

Julia worked successfully with John at 3v, thanks to their shared design ethos and understanding of the existing building fabric. They worked closely together to develop a tailored hardware package; including the replacement of all existing stainless steel fittings with patinated bronze ironmongery for more utilitarian functional ironmongery elements such as hinges and push plates on smoked oak doors, and brushed brass for new decorative ironmongery elements.

Julia recalls that “we received great feedback from client on the project and they were so happy with the design approach to the refurbished staircase with its new carpet, paint, lighting and ironmongery from the ground to first floors, that they rolled it throughout the rest of the building right up to the seventh floor.”

Coordinating ironmongery schedules, when every door has an individual requirement, can be difficult, but according to Hamson, “John made me feel comfortable that nothing was going to get missed; this is what you want as an architect. Ironmongery schedules can be complicated and time consuming, and if there is someone who can do something better than you can in-house, then its best to take advantage of that skill and expertise to get the best result.”

Photography: Neil Kenyon

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